Fondazione Teatro alla Scala di Milano

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2 in cooperation with Fondazione Teatro alla Scala di Milano Circuito Lirico Lombardo Teatro Donizetti di Bergamo Teatro Grande di Brescia Teatro Sociale di Como Fondazione Teatro A. Ponchielli di Cremona Teatro Fraschini di Pavia in collaboration with Fondazione Teatro Regio di Torino announces 56 COMPETITION FOR YOUNG OPERA SINGERS OF EUROPE YEAR

3 Operas in the Competition Le Nozze di Figaro by Wolfgang Amadeus Mozart I Capuleti e i Montecchi by Vincenzo Bellini Rigoletto by Giuseppe Verdi L amour des trois oranges by Sergej Prokof ev With the support of: Ministero per i Beni e le Attività Culturali Regione Lombardia 6

4 L ASSOCIAZIONE LIRICA E CONCERTISTICA ITALIANA (As.Li.Co.) founded by GiovanniTreccani degli Alfieri in cooperation with Fondazione Teatro alla Scala Circuito Lirico Lombardo In collaboration with Fondazione Teatro Regio di Torino announces 56 COMPETITION FOR YOUNG OPERA SINGERS OF EUROPE YEAR 2005 for the roles in the following operas: TITLE 1 Le nozze di Figaro by W. A. Mozart Roles: Figaro bass-baritone The Count baritone-baritone Susanna soprano The Countess soprano Cherubino mezzosoprano Don Bartolo bass The opera Le nozze di Figaro will be presented as part of the Fall Opera Season of the Theaters belonging to the Circuito Lirico Lombardo TITLE 2 I Capuleti e i Montecchi by V. Bellini Roles: Giulietta soprano Romeo mezzosoprano Tebaldo tenor The opera I Capuleti e I Montecchi will be presented as part of the Fall Opera Season of the Theaters belonging to the Circuito Lirico Lombardo TITLE 3 Rigoletto by G. Verdi Roles: Gilda soprano Il Duca di Mantova tenor Rigoletto baritone Maddalena mezzosoprano Sparafucile bass The opera Rigoletto will be presented as part of the Fall Opera Season of the Theaters belonging to the Circuito Lirico Lombardo 7

5 TITLE 4 L amour des trois oranges- (The Love of Three Oranges) by S. Prokof ev Roles: The King of Trèfles bass The Magician Tchélio bass The Prince tenor Truffaldino tenor Pantalone baritone Fata Morgana soprano The Herald baritone The opera The Love of Three Oranges will be presented in two different versions: one in Italian as part of the Opera Domani Project that runs from February to May, The other will be presented in French as part of the Fall Opera Season of the Teatro Sociale di Como. ART. 1 TITLE I GENERAL REGULATIONS The Competition is open to young opera singers from Europe, male and female, who are under the age 32 as of 1st January The competition will be held in Como at Teatro Sociale from the 27th thru the 30th of January To be admitted to the Competition, it is necessary to pass a pre-selection audition to be held in the venues stated below. ART. 2 Pre-selection auditions will take place before one or more members of the As.Li.Co. Artistic staff, in the months preceding the Competition in the following cities: Amsterdam, Athens, Barcelona, Bilbao, Bratislava, Cologne, Como, Dublin, Firenze, Graz, Helsinki, Leipzig, London, Palermo, Paris, Prague, Sofia, Stockholm, Warsaw, Vienna. Candidates will be duly informed where, when and at what time they should be present. Should fewer than 5 candidates register for any one of the pre-selection auditions, these candidates may be asked to attend one of the other scheduled venues. ART. 3 Candidates chosen from the pre-selection auditions will be admitted to the Competition which will be held in Como. The Competition will be divided into three stages as follows: 8

6 Preliminary stage, 27th, 28th January 2005 Semi-final, 29th January 2005 Final, 30th January 2005 Candidates selected to take part in the Competition must present themselves on 27th January 2005 at 9:30 AM at Teatro Sociale on via Bellini 3 in Como. Prior to the beginning of the preliminary stage, a drawing will be held in the presence of all candidates to determine the order of call. Based on the name drawn, the call will continue alphabetically. The Panel of Judges will inform candidates of their decisions at the end of each of the three competition stages: Preliminary, Semi-Final, and Final. The final decision will be expressed as a score based on the average of the scores given by the individual members of the Panel of Judges, excluding the lowest and the highest scores. The Panel of Judges will draw up the classification and will declare the winners of the Competition as those candidates with an average of no less than 8/10. ART. 4 TITLE II REGISTRATION PROCEDURE The attached Application Form, completed in full and including the program (see Art. 9) should be sent to the following address: Associazione Lirica e Concertistica Italiana (As.Li.Co.) Corso di Porta Nuova, Milano (fax ) info@aslico.org In the Application Form, the candidate should state his/her first name, surname, address, telephone number, voice type, and the venue of choice for the pre-selection audition. The Application Form must be completed legibly and in full and must be signed by the candidate. Additionally, the following documents should be attached: a) Copy of a valid identification document for expatriation b) A detailed artistic-professional curriculum, containing: - Education - Artistic activity - Work experience c) Two photographs (1 passport size and 1-13 x 18). The application form with all supporting materials must be postmarked on or by the 4th of December ART. 5 Candidates who pass the pre-selection audition and are admitted to the Competition in Como will be required to pay a registration fee of 75,00 Euro. Payment of the registration fee can be made: a) by sending cash or a cheque to the following address: As.Li.Co. - Corso Porta Nuova, Milano (Italy). b) by bank transfer to the following current account: 9

7 As.Li.Co. Associazione Lirica e Concertistica Italiana c/c n c/o Banca di Roma - Ag. 22 Largo Treves, Milano ABI CAB Payment must be included with the completed application package and must be received or postmarked on or by the 4th of December ART. 6 As.Li.Co.: a. will not take into consideration any application without the supporting documents requested in Article 4 above. b. As.Li.Co. reserves the right to ask for confirmation of the authenticity of the copy of the identification documents attached and to check the accuracy of the declarations made. ART. 7 The registration fee is non refundable should the candidate fail to attend the auditions or if the application is cancelled for any reason. ART. 8 TITLE III COMPETITION PANEL OF JUDGES The Panel of Judges for the Competition will be comprised of two representatives from As.Li.Co, one representative from the Scala Theatre, one representative from the theatres belonging to the Circuito Lirico Lombardo, and at least three international music experts. The As.Li.Co. Artistic staff will nominate one of the latter as Chairman. As.Li.Co. may appoint one or more substitute members in the event that one of the designated members is unable to attend a stage of the Competition. As.Li.Co. may freely nominate substitute members, without taking into account the substituted representative s membership in any of the aforementioned organizations. ART. 9 TITLE IV PROGRAMME Each candidate must complete in full the program section of the application form (see Article 4). Each candidate may audition for more than one role within the same opera but may not audition for more than two operas in the Competition. All candidates must: a) present four memorized arias of their choice, at least one of which must be preceded by recitative and all four of which should not be taken from the opera in the competition for which the candidates are presenting themselves. b) memorize the obligatory arias from the roles in the operas in the competition (Schedule A). The entire program must be sung in the original language. Any changes in the program must be communicated to As.Li.Co. in writing prior the pre-selection audition. 10

8 ART. 10 At the pre-selection audition, the candidate will perform one or more arias from those listed in Article 9, one of which will be chosen by the candidate. The Competition will be divided into the following stages: a) Preliminary stage - At the Preliminary stage the candidate will perform one or more arias from those listed in Article 9, one of which will be chosen by the candidate. The aria of choice must be different from the one sung at the pre-selection audition. b) Semi-Final stage - At the Semi-Finals, the candidate will sing one or more arias chosen by the Panel of Judges from those listed in Article. 9. c) Final Stage - Candidates will sing one or more arias chosen by the Panel of Judges from those listed in Article. 9. All candidates progressing to the Final Stage will attend a special interview with members of the jury to assess their sight-reading ability and their general knowledge of music. ART. 11 At all stages of the Competition, candidates will be accompanied by the pianist appointed by As.Li.Co. ART. 12 Past winners and finalists from previous competitions organized by As.Li.Co. may take part in the Competition. They will be admitted directly to the Semi- Finals. ART. 13 TITLE V WINNERS The winners are required to attend both training courses and preparatory courses for all scheduled operas. The winners will then perform their chosen roles in productions of the operas promoted by the Circuito Lirico Lombardo. All winners chosen to perform one or more roles during the 2005 season of the Circuito Lirico Lombardo are obligated to premiere that chosen role with As.Li.Co. and the Circuito Lirico Lombardo only. Those candidates judged qualified may also attend the preparatory courses and may, after further examination by As.Li.Co. Artistic staff, be asked to take part in programmed activities. 11

9 ART. 14 As.Li.Co. will provide training and opera preparation courses on the following dates and times: from 10th February to 10th March 2005 (Opera Domani) from 15th April to 30th July 2005 from 25th August to 10th September 2005 The productions are scheduled for the following dates: from 10th March to 30th May 2005 (Opera Domani) from 11th September to 20th December 2005 Failure to participate in all courses and contracted opera productions by winners and those designated qualified will result in a penalty payable to As.Li.Co. of 50% of the total of the awarded study-grant as well as compensation for any additional loss sustained. ART. 15 While attending the training course, all apprentices both winners and qualified performers, will receive a net monthly study-grant of 800 Euro. The right to this grant is dependent upon regular attendance at all preparatory courses deemed obligatory by As.Li.Co. In addition to the above-mentioned remuneration, winners and qualified performers will receive payment for roles performed. All payments are stated in gross and will be distributed in the following manner: Euro for participation in the Opera Domani project production Euro for performances of the role won in the competition in all Fall productions Euro for winners who take part in other Fall productions in roles other than those won. No payment is received by the performer if she/he performs or covers multiple roles within the same opera differing from the role won. The above amounts will be subject to tax and social security deductions in accordance with the law. For the Opera Domani production, As.Li.Co. will pay hotel expenses for winners and qualified performers for any performances held outside the provinces of Milan and Como. For the Fall productions, As.Li.Co. will pay hotel expenses to winners and qualified performers for any performances held outside Lombardy. ART. 16 TITLE VI COURSES AND ARTISTIC ACTIVITY The winners and finalists may be invited to take part in vocal-symphonic concerts presented by As.Li.Co. or by other Italian and foreign musical organizations. The winners, in accordance with the As.Li.Co. artistic staff, can be inserted into the productions slated for the As.Li.Co season. These roles may differ from those presented during the competition. 12

10 ART. 17 As.Li.Co. reserves the right to film, record, and broadcast the Semi-Final, Final Stages of the Competition on videotape, tape, film, radio, TV and CD, as well as all performances included in the competition without payment to the participants. ART. 18 As.Li.Co. may fill any roles left unfilled in the works to be performed with artists declared suitable by the Panel of Judges at this competition, as well as with winners of previous As.Li.Co. Competitions, with students at specialized centers for opera singers in other International Music Institutes, with special consideration to members or institutions of EurOperaStudio, with winners of Competitions held under the auspices of the EU and with individuals chosen at auditions organized by As.Li.Co. itself. ART. 19 Schedule A shall be considered an integral part of the Competition notice. ART. 20 The regulations for the Competition shall be legally binding in the Italian language version. Any disputes regarding these regulations shall be brought before the Court of Milan. Pursuant to Article 10, sub-section 1 of Law no.675 of 31/12/96, the personal details supplied by the candidates shall be collected by As.Li.Co. for the purpose of running the Competition. All interested parties shall be entitled to the rights specified in Article 13 of the aforesaid law. 13

11 ALLEGATO A / SCHEDULE A Brani obbligatori dei ruoli delle opere a concorso Obligatory pieces for roles in opera contest in General Regulation Le nozze di Figaro di W. A. Mozart Edizione Ricordi ATTO I Pag Se a caso madama la notte ti chiama Pag Bravo Signor padrone Se vuol ballare Pag La vendetta, oh la vendetta Pag Non so più cosa son cosa faccio Pag Non più andrai farfallone amoroso Susanna, Figaro Figaro Don Bartolo Cherubino Figaro ATTO II Pag Porgi amor Pag Voi che sapete Pag Venite inginocchiatevi Pag Aprite, presto, aprite ATTO III Pag Crudel! Perché fin ora 14 Contessa Cherubino Susanna Susanna, Cherubino Susanna, Conte

12 Pag Hai già vinta la causa Pag E Susanna non vien Dove sono i bei momenti Pag Sull aria? Che soave zeffiretto ATTO IV Pag Tutto è disposto Aprite un po quegli occhi Pag Giunse alfin il momento Deh vieni non tardar Il Conte Contessa Susanna, Contessa Figaro Susanna I Capuleti e i Montecchi di Vincenzo Bellini Edizione Ricordi ATTO I Pag O di Capellio generosi amici E serbata a questo acciaro L amo tanto e m è sì cara Tebaldo Pag Lieto del dolce incarco Se Romeo t uccise un figlio La tremenda ultrice spada Romeo Pag Eccomi in lieta vesta Oh quante volte oh quante Giulietta Pag Io ti rivedo oh gioia! Giulietta, Romeo ATTO II Pag Morte io non temo il sai 15 Giulietta

13 Pag Deh padre mio! Pag Deserto è il luogo Pag O del sepolcro profonda oscurità Deh! tu bell anima Giulietta Romeo, Tebaldo Romeo Rigoletto di Giuseppe Verdi ATTO I Pag Questa o quella Pag Quel veccho maledivami Pag Pari siamo Pag Figlia! Mio padre Pag Signor né principe io lo vorrei Pag Gualtier Maldè Caro nome Duca di Mantova Rigoletto, Sparafucile Rigoletto Gilda, Rigoletto Gilda, Duca di Mantova Gilda ATTO II Pag Ella mi fu rapita Duca di Mantova Pag Possente amor mi chiama Duca di Mantova Pag Cortigiani vil razza dannata Rigoletto Pag Tutte le feste al tempio Solo per me l infamia Gilda, Rigoletto 16

14 ATTO III Pag La donna è mobile Pag Un dì se ben rammentomi Pag Ah, più non ragiono Pag Della vendetta alfin Duca di Mantova Gilda, Maddalena, Duca di Mantova, Rigoletto Gilda, Maddalena, Sparafucile Rigoletto, Sparafucile, Duca di Mantova, Gilda L amour des trois oranges (L amore delle tre melarance) di Sergej Prokof ev Edizione Boosey Hawkes PROLOGO Pag Le roi des Trèfles (il Re di Coppe) ATTO I Pag Des douleurs (Mal di fegato) ATTO II Pag Ah, non, non (M annoio) Pag Attention (Attenzione...) Le Hérault (l Araldo) Le Roi (Il Re) Pantalone Le Prince (Il Principe), Truffaldino Le Prince (Il Principe), Truffaldino 17

15 Pag Ça ne te regarde pas (E a te che te ne importa?) Truffaldino, Morgana, Le Prince (Il Principe) Pag Monstre! Écoute (Folle! Odi) Morgana Pag Les trois oranges Le Prince (Il Principe), (Le melarance) Le Roi (Il Re) ATTO III Pag Farfarello! Farfarello Pag Plus de vent (Cadde il vento) Pag Qu est ce (Ci siam?) Tchelio Le Prince (Il Principe), Truffaldino, Tchelio Le Prince (Il Principe), Truffaldino Pag Il est drôle, le Prince (Io riposerei) Truffaldino Pag Non, rien ne pouvait m arrêter (Non c era forza) Le Prince (Il Principe) 18

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17 Opera domani... Progetto per la produzione di opere introdotte da percorsi didattici Project for the production of operas illustrated by didatic programme in collaborazione con Presidenza del Consiglio Dipartimento dello Spettacolo Ministero dell Istruzione Assessorati alla Cultura dei Comuni e delle Province Provveditorato agli Studi con il patrocinio di I.R.R.E. in collaboration with Performances Department of the State Educational Department of the State Provincial Education Office Cultural Department of the Cities with the Patronate I.R.R.E. Obiettivi a) educazione musicale del bambino attraverso l insegnamento dei professori a scuola b) aggiornamento e perfezionamento del bagaglio culturale musicale degli insegnanti c) produzione di uno spettacolo di qualità da offrire ai bambini che hanno seguito il percorso didattico Città coinvolte: Bergamo, Bologna, Bormio, Brescia, Como, Cremona, Fermo, Lecco, Milano, Pavia, Piacenza, Ravenna, Torino, Trento, Varese, Vigevano Aims a) music education of the child through the training of the teachers b) updating and improvement of the music-cultural store of the teachers c) production of a real opera to be shown to the children who joined the programme Cities involved: Bergamo, Bologna, Bormio, Brescia, Como, Cremona, Fermo, Lecco, Milano, Pavia, Piacenza, Ravenna, Torino, Trento, Varese, Vigevano Bambini e ragazzi spettatori circa Children Scuole elementari e medie Primary and Secondary Schools Materiale didattico - Testi di pedagogia musicale - Libretto dell opera - Sezioni di partitura - Audiocassette - Videocassette Educational material - texts of music pedagogy - libretto of the opera - the score - CD - videotape

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22 Consiglio di Amministrazione Presidente Bruno Dal Bon Vice Presidenti Giovanna Lomazzi Carlo Peruchetti Consiglieri Riccardo Allorto Giorgio Giacomini Barbara Minghetti Alberto Smeraldi Giovanni Vegeto Commissione Artistica Riccardo Allorto Bruno Dal Bon Giovanna Lomazzi Carlo Peruchetti Collegio dei Revisori dei Conti Presidente Piero Alberto Busnach Membri effettivi Mauro Reccini Michele Luca Carpaneda Collaboratori Amministratore Delegato Giovanni Vegeto Direttore della Programmazione TSC Barbara Minghetti Responsabile controllo di gestione Emilia Locatelli Direttore della produzione Marco Galarini Responsabile amministrativo Federica Sertorelli Teatro Sociale di Como Promozione e Ufficio Stampa Monica Bellotti Amministrazione Attività Teatrali Susanna Salardi Segreteria di produzione Sara Orsenigo Coordinamento Attività Teatrali Alberto Barelli As.Li.Co. Milano Responsabile contratti e convenzioni Giuliana Riva Responsabile relazioni internazionali Ronni Levinie Segreteria organizzativa Eleonora Bommarito Amministrazione Sara Lena Organizzazione Servizi Musicali Federica Falasconi Servizi Teatrali e Custodia Romano Pozzana Biglietteria Silvia Corti Coro Aslico Direttore Alfonso Caiani Segreteria organizzativa Lidia Basterrechea 25 Opera Domani Responsabile Progetto Barbara Minghetti Segreteria ed Organizzazione Monica Cereda Lidia Basterrechea