CONCORSO PER GIOVANI CANTANTI LIRICI D EUROPA COMPETITION FOR YOUNG OPERA SINGERS OF EUROPE. Concorso per ruoli / Competition for roles.

Transcript

1 CONCORSO PER GIOVANI CANTANTI LIRICI D EUROPA COMPETITION FOR YOUNG OPERA SINGERS OF EUROPE Concorso per ruoli / Competition for roles Il Barbiere La di Traviata Siviglia G. G. Verdi RossinLa fiera di Venezia A. Salieri L Elisir L elisir d amore G. G. Donizetti Werther J. Massenet

2 PRESIDENTI PRESIDENTS Giovanni Treccani degli Alfieri Luigi Treccani degli Alfieri Carlo Fontana Pier Maria Paoletti Carlo Peruchetti Bruno Dal Bon

3 in conjunction with Fondazione Teatro alla Scala di Milano Teatro alla Circuito Lirico Lombardo in collaboration Fondazione Teatro Regio di Torino announces COMPETITION FOR YOUNG OPERA SINGERS OF EUROPE YEAR 2004 Operas in the competition La Traviata by Giuseppe Verdi L elisir d amore by Gaetano Donizetti Werther by Jules Massenet Sustained Ministero per i Beni e le Attività Culturali Regione Lombardia

4 L ASSOCIAZIONE LIRICA E CONCERTISTICA ITALIANA (As.Li.Co.) founded by Giovanni Treccani degli Alfieri in conjunction with Fondazione Teatro alla Scala Circuito Lirico Lombardo announces COMPETITION FOR YOUNG OPERA SINGER OF EUROPE ANNO 2004 for roles in the following operas TITLE 1 La Traviata by Giuseppe Verdi Roles: Violetta soprano Alfredo tenor Germont baritone The opera La Traviata will be staged only in Autumn during the lyric season promoted by the Theatres of the Circuito Lirico Lombardo TITLE 2 L elisir d amore by Gaetano Donizetti Roles: Nemorino tenor Adina soprano Belcore baritone Dulcamara bass There will be two different productions of the opera Elisir d amore. The first one will be staged, from the10 th of February to the 31 st of May, as part of the Opera Domani project, and the second one in autumn as part of the opera season promoted by the Theatres of the Circuito Lirico Lombardo TITLE 3 Werther by Jules Massenet Roles: Werther tenor Charlotte mezzosoprano Sophie soprano Albert baritone The opera Werther will be staged only in Autumn during the lyric season promoted by the Theatres of the Circuito Lirico Lombardo

5 TITLE I GENERAL REGULATIONS ART. 1 The Competition is open to young opera singers from Europe, male and female, who are under the age 32 as of 1 st January The competition will be held in Como Sociale Theatre from 29 th January to 1 st February To be admitted to the Competition, it is necessary to pass a pre-selection audition to be held in the venues stated below. ART. 2 Pre-selection auditions will take place before one or more members of the As.Li.Co. Artistic staff, in the months preceding the Competition in the following cities: Amsterdam, Atene, Barcellona, Bilbao, Bratislava, Colonia, Como, Dublino, Firenze, Graz, Helsinki, Londra, Palermo, Parigi, Praga, Sofia, Stoccolma, Vienna. Candidates will be duly informed where, when and at what time they should be present. Should fewer than 5 candidates register for any one of the pre-selection auditions, these candidates may be asked to attend one of the other scheduled venues. ART. 3 Candidates chosen from the Pre-selection auditions will be admitted to the Competition which will be held in Como. The Competition will be divided into three stages as follows: Preliminary stage, 29 th, 30 th January 2004 Semi-final, 31 st January 2004 Final, 1 st February 2004 Candidates admitted to take part in the Competition must present themselves on 29 th January 2004 at 9:30 AM at the Teatro Sociale in via Bellini 3, Como. Prior to the beginning of the preliminary stage, a drawing will be held in the presence of all candidates to determine the order of call. Based on the name drawn, the call will continue alphabetically. The Panel of Judges will inform candidates of their decisions at the end of each of the three competition stages: Preliminary, Semi-Final, and Final. The final decision will be expressed as a score based on the average of the scores given by the individual members of the Panel of Judges, excluding the lowest and the highest scores. The Panel of Judges will draw up the classification and will declare the winners of the Competition as those candidates with an average of no less than 8/10. The Panel may announce more than one winner for each role in the Competition. The Panel shall have the ability to announce qualified candidates.

6 TITLE II REGISTRATION PROCEDURE ART. 4 The attached Application Form, duly filled in and including the program (see Art. 9) should be sent to the following address: Associazione Lirica e Concertistica Italiana (As.Li.Co.) Corso di Porta Nuova, Milano (fax ) info@aslico.org In the Application Form the candidate should state his/her first name, surname, address, telephone number, voice type, and the venue of choice for the preselection audition. The Application Form must be completed legibly and in full and must be signed by the candidate. Additionally, the following documents should be attached: a) Copy of a valid identification document for expatriation b) A detailed artistic-professional curriculum, containing: - Education - Artistic activity - Work experience c) Two photographs (1 passport size and 1 of choice). The application form with all supporting materials must be postmarked on or by the 20 th December ART. 5 Candidates who pass the pre-selection audition and are admitted to the Competition in Como will be required to pay a registration fee of 75 Euros. Payment of the registration fee can be made: a) by sending cash or a cheque to the following address: As.Li.Co. - Corso Porta Nuova, Milano (Italy). b) by bank transfer to the following current account: As.Li.Co. Associazione Lirica e Concertistica Italiana c/c n c/o Banca di Roma - Ag. 22 Largo Treves, Milano ABI CAB Payment must be included with the completed application package and must be received and postmarked on or by 20 th December ART. 6 As.Li.Co. : a. will not take into consideration any application without the supporting documents requested in Article 4 above. b. As.Li.Co. reserves the right to ask for confirmation of the authenticity of the copy of the identification documents attached and to check the accuracy of the declarations made. ART. 7 The registration fee is non refundable should the candidate fail to attend the auditions or if the application is cancelled for any reason.

7 TITLE III COMPETITION PANEL OF JUDGES ART. 8 The Panel of Judges for the Competition will be comprised of two representatives from As.Li.Co, one representative from the Scala Theatre, one representative from the theatres belonging to the Circuito Lirico Lombardo, and three international music experts. The As.Li.Co. Artistic staff will nominate one of the latter as Chairman. As.Li.Co. may appoint one or more substitute members in the event that one of designated members is unable to attend a stage of the Competition. As.Li.Co. may freely nominate substitute members, without taking into account the substituted representative s membership in any of the aforementioned organizations. ART. 9 TITLE IV PROGRAMME Each candidate must complete in full the programme section of the application form (see Article 4). Each candidate may audition for more than one opera in the Competition and for more than one role within the same opera. All candidates must: a) present four memorized arias of their choice, at least one of which must be preceded by recitative and all four of which should not be taken from the opera in the competition for which the candidates are presenting themselves. b) memorize the obligatory arias from the roles in the operas in the competition (Schedule A). The entire programme must be sung in the original language. Any changes in the programme must be communicated to As.Li.Co. in writing prior the pre-selection audition. ART. 10 At the pre-selection audition, the candidate will perform one or more arias from those listed in Article 9, one of which will be chosen by the candidate. The Competition will be divided into the following stages: a) Preliminary stage - At the Preliminary stage the candidate will perform one or more arias from those listed in Article 9, one of which will be chosen by the candidate. The aria of choice must be different from the one sung at the pre-selection audition. b) Semi-Final stage - At the Semi-Finals, the candidate will sing one or more arias chosen by the Panel of Judges from those listed in Article. 9. c) Final Stage - Candidates will sing one or more arias chosen by the Panel of Judges from those listed in Article. 9. All candidates progressing to the Final Stage will attend a special interview to assess their sight-reading ability and their general knowledge of music. The Semi-Final and Final stages will be held in public. The Panel of Judges has the authority to interrupt the performance of the candidates at any time.

8 The Panel of Judges reserves the right to declare winners for just one of the two planned productions of L Elisir d amore. ART. 11 At all stages of the Competition candidates will be accompanied by the pianist appointed by As.Li.Co. ART. 12 Past winners and finalists from previous competitions organized by As.Li.Co. may take part in the Competition. They will be admitted directly to the Semi- Finals. ART. 13 TITLE V WINNERS The winners will be expected to attend both a training course and preparatory course for all scheduled operas. The winners will perform their respective roles in productions of the operas promoted by the Circuito Lirico Lombardo. Those candidates judged qualified may also attend the preparatory courses and may, after further examination by As.Li.Co. Artistic staff, be asked to take part in programmed activities. ART. 14 TITLE VI COURSES AND ARTISTIC ACTIVITY As.Li.Co. will provide training and opera preparation courses on the following dates and times: from 10 th February to 9 th March 2004 from l 5 th April to 30 th July 2004 from 25 th August to 10 th September 2004 The productions are scheduled for the following dates: from 10 th March to 30 th May 2004 from 11 th September to 20 th December 2004 Failure to participate in all courses and contracted opera productions by winners and those designated qualified will result in a penalty payable to As.Li.Co. of 50% of the total of the awarded study-grant as well as compensation for any additional loss sustained. ART. 15 While attending the training course, both winners and qualified performers, will receive a net monthly study-grant of 800 Euro. The right to this grant is dependent upon regular attendance at all preparatory courses deemed obligatory by As.Li.Co. In addition to the above-mentioned remuneration, winners and qualified performers will receive payment for roles performed. All payments are stated in gross and will be distributed in the following manner:

9 Euro for participation in the Opera Domani project production Euro for performances of the role won in the competition in all Fall productions Euro for winners who take part in other Fall productions in roles other than those won. No payment is received by the performer if she/he performs or covers multiple roles within the same opera differing from the role won. The above amounts will be subject to tax and social security deductions in accordance with the law. For the Opera Domani production, As.Li.Co. will pay hotel expenses for any performances held outside the provinces of Milan and Como. For the Fall productions, As.Li.Co. will pay hotel expenses to winners and qualified performers for any performances held outside Lombardy. ART. 16 The winners and finalists may be invited to take part in vocal-symphonic concerts presented by As.Li.Co. or by other Italian and foreign musical organizations. In collaboration with the As.Li.Co. artistic staff, winners may be asked to participate in future productions during As.Li.Co. s 2004 season. These roles may differ from those presented during the competition. ART. 17 As.Li.Co. reserves the right to film, record, and broadcast the Semi-Final, Final Stages of the Competition on videotape, tape, film, radio, TV and CD, as well as all performances included in the competition without payment to the participants. ART. 18 As.Li.Co. may fill any roles left unfilled in the works to be performed with artists declared suitable by the Panel of Judges at this competition, as well as with winners of previous As.Li.Co. Competitions, with students at specialised centres for opera singers in other International Music Institutes, with special consideration to members on institutions of EurOperaStudio, with winners of Competitions held under the auspices of the EU and with individuals chosen at auditions organised by As.Li.Co. itself. ART. 19 Schedule A shall be considered an integral part of the Competition notice. ART. 20 The regulations for the Competition shall be legally binding in the Italian language version. Any disputes regarding these regulations shall be brought before the Court of Milan. Pursuant to Article 10, sub-section 1 of Law no.675 of 31/12/96, the personal details supplied by the candidates shall be collected by As.Li.Co. for the purpose of running the Competition. All interested parties shall be entitled to the rights specified in Article 13 of the aforesaid law.

10 ALLEGATO A / SCHEDULE A Brani obbligatori dei ruoli delle Opere a concorso Obligatory pieces for roles in opera contest in the General Regulation Werther di J.Massenet Edizioni Leduc ATTO I Pag Je ne sais si je veille Pag Elle m aime Pag Il faut nous séparer Werther Albert Charlotte, Werther ATTO II Pag Voici trois mois que nous sommes unis Charlotte, Albert Pag Un autre est son époux Werther Pag Au bonheur dont mon âme Albert, Werther Pag Du gai soleil Sophie, Werther, Albert Pag Comme on trouve en priant Charlotte, Werther Pag Lorsque l enfant Werther ATTO III Pag Ces lettres, ces lettres Pag Ah! Le rire est béni Charlotte Sophie

11 Pag «Va! Laisse couler mes larmes» Pag «Ah! Mon courage m abandonne» Pag «Pourquoi me reveiller» ATTO IV Pag «Werther! Werther!» Charlotte Charlotte Werther Charlotte, Werther L elisir d amore di G. Donizetti Edizioni Ricordi ATTO I Pag Quanto è bella, quanto è cara Pag Della crudele Isotta Pag Come Paride vezzoso Pag Una parola, o Adina Pag Udite, udite o rustici Pag Ardir! Ha forse il cielo Pag In guerra ed in amor ATTO II Pag Io son ricco e tu sei bella Pag La donna è un animale stravagante Nemorino Adina Belcore Adina, Nemorino Dulcamara Nemorino, Dulcamara Adina, Nemorino, Belcore Adina, Dulcamara Nemorino, Belcore

12 Pag Come sen va contento Pag Una furtiva lagrima Pag Prendi, per me sei libero Adina, Dulcamara Nemorino Adina La Traviata di G. Verdi - ATTO I Pag Un dì felice, etera Pag E strano ATTO II Pag Lunge da lei Pag Oh mio rimorso Pag Madamigella Valery Pag Dammi tu forza o cielo Pag Di Provenza il mar Pag No, non udrai rimproveri Pag Questa donna conoscete ATTO III Pag Teneste la promessa Pag Parigi o cara Pag Ah Violetta, voi Signor Alfredo, Violetta Violetta, Alfredo (integrale) Alfredo Alfredo Germont, Violetta Violetta, Alfredo Germont Germont Alfredo Violetta (integrale) Alfredo, Violetta Germont, Violetta, Alfredo

13 The aims of EurOperaStudio are as follows: to promote and organize initiatives that encourage cooperation at a European level between training centres and the opera theatres. This, in turn, will serve to benefit young opera singers to interact with the wider world of culture and with the mass-media to manage a database designed to serve the professional development of young opera singers. The database will include information on theatre auditions, productions and opera activities within the European Union to promote and coordinate special projects between training centres and opera theatres to increase awareness and understanding of the aims of the Association in the media to manage a database containing information about the training and experience of young opera singers within the European Union to strengthen the relationships between European and non-european professional training centres EurOperaStudio Largo di Torre Argentina Roma Tel.: Fax: info@opera.europerastudio.org

14 Opera domani... Progetto per la produzione di opere introdotte da percorsi didattici Project for the production of operas illustrated by didatic programme in collaborazione con Presidenza del Consiglio Dipartimento dello Spettacolo Ministero dell Istruzione Assessorati alla Cultura dei Comuni e delle Province Provveditorato agli Studi con il patrocinio di I.R.R.E. RegioneLombardia Culture, Identità e Autonomie della Lombardia in collaboration with Performances Department of the State Educational Department of the State Provincial Education Office Cultural Department of the Cities with the Patronate I.R.R.E. Obiettivi a) educazione musicale del bambino attraverso l insegnamento dei professori a scuola b) aggiornamento e perfezionamento del bagaglio culturale musicale degli insegnanti c) produzione di uno spettacolo di qualità da offrire ai bambini che hanno seguito il percorso didattico Città coinvolte: Bergamo, Bologna, Bormio, Brescia, Como, Cremona, Fermo, Lecco, Milano, Pavia, Piacenza, Ravenna, Torino, Trento, Varese, Vigevano Aims a) music education of the child through the training of the teachers b) updating and improvement of the music-cultural store of the teachers c) production of a real opera to be shown to the children who joined the programme Cities involved: Bergamo, Bologna, Bormio, Brescia, Como, Cremona, Fermo, Lecco, Milano, Pavia, Piacenza, Ravenna, Torino, Trento, Varese, Vigevano Bambini e ragazzi spettatori circa Children Scuole elementari e medie Primary and Secondary Schools Materiale didattico - Testi di pedagogia musicale - Libretto dell opera - Sezioni di partitura - Audiocassette - Videocassette Educational material - texts of music pedagogy - libretto of the opera - the score - CD - videotape -

15 Tra gli altri hanno esordito all As.Li.Co.: These are the singers who have song at As.Li.Co.: 1950 Margherita Casals Anselmo Colzani Pier Miranda Ferraro Gigliola Frazzoni Renato Gavarini Agostino Lazzari Paolo Pedani Luigi Pontiggia Teodoro Rovetta Giorgio Tozzi 1951 Carlo Bergonzi Otello Borgonovo Nunzio Gallo Maria Luisa Gavioli Jolanda Mancini Dino Mantovani Paolo Montarsolo Elvira Ramella Annamaria Rovere 1952 Belen Amparan Virgilio Carbonari Anita Cerquetti Angelo Lo Forese Tulio Pane Franco Pugliese Lino Puglisi 1953 Margherita Bonetti Agostino Ferrin Giulio Fioravanti Adriana Lazzarini Claudia Parada Franco Ricciardi Renata Scotto Giuseppe Zecchilo 1954 Luis Alva Daniele Barioni Marcella De Osma Dino Dondi Giovanni Foiani Carlo Meliciani Carlo Perucci Felice Schiavi 1955 Biancamaria Berini Franco Bordoni Anita Caminada Biancamaria Casoni Lorenzo Gaetani Renata Garazioti Giuseppe Gismondo Limbania Leoni Giuliana Tavolaccini 1956 Piero Capuccilli Giuseppe Lamacchia Gastone Limarilli Adriana Martino Michele Molese Marco Stecchi Laura Zanini 1957 Edy Amedeo Armanda Bonato Ruggero Bondino Clara Foti Mirella Parutto 1958 Mirella Freni Vladimiro Ganzarolli Bonaldo Giaiotti Adriana Maliponte Angelo Nosotti Luciana Rezzadore Luciano Saldari 1959 Federico Davià Mirella Fiorentini Umberto Grilli Mario Guggia Bruno Prevedi Flora Rafanelli

16 1960 Leonida Bergamonti Pietro Bottazzo Gianpaolo Corradi Rosa Laghezza Alfonso Marchica Orianna Santunione 1966 Carlo Gaifa Maria Maddalena Nicola Martinucci Gabriella Mazza Aida Meneghelli Wilma Vernocchi 1974 Lauretta Brovida Giuliano Ciannella Andrea Elena Franco Giovine Renzo Musacci Ambrogio Riva 1961 Pio Bonfanti Franca Fabbri Navia M. Goltara Gianni Maffero Carlo Menippo Licinio Montefusco Rita Orlandi Giovanna Santelli Franco Tagliavini 1962 Giorgio Grimaldi Maria Luisa Nave Annamaria Pizzoli Elena Zilio 1963 Celestina Casapietra Maria Chiara Susanna Ghione Giancarlo Luccardi Gianfranco Pastine 1964 Maddalenena Bonifacio Ida Bormida Franco Federici Enrico Fissore Ottavio Garaventa Tino Nava 1965 Fulvia Ciano Gabriella Ravazzi Bernardino Trotta 1967 Gianna Amato Renato Cazzaniga Milena Dal Piva Carlo Del Bosco 1968 Anna Baldasserini Carlo Oggioni Fiorella Pediconi 1969 Vincenzo Puma Katia Ricciarelli Giorgio Zancanaro 1970 Adriana Ciani Max Renè Cosotti Stella Silva 1971 Ettore Nova Gianfranca Ostini Gianfranco Privitello Carmen Stara Carlo Zardo 1972 Antonio Salvadori Luisella Zampieri 1973 Paolo Barbacini Silvana Bocchino Laura Eoli Wally Selio 1975 Rita Antoniazzi Maurizio Barbacini Enrico Marini Antonio Mascitti Gianluigi Senici Giuseppina Stefanini John Van Zelst 1976 Maura Aliboni Luigi De Corato Melchiade Garavelli Hendrika Porati 1977 Simone Alaimo Maria Cristina Billard Adelina Scarabelli Franco Sioli 1978 Maurizio Barbacini Pietro Ballo Antonietta Pianezzola Fabrizia Sbrozzi 1979 Annamaria Fichera William Matteuzzi Giancarlo Tosi Maria Trabucco Margherita Vivian 1980 Giuseppe Lamazza

17 1981 Valeria Baiano Adele Cossi Franco De Grandis Laura Manetto Delfo Menicucci Martina Musacchio Luigi Petroni Fiorella Prandini Giorgio Tieppo 1982 Patrizia Callegarini Renata Daltin Giuseppe Fallisi Michele Farruggia Giuseppe Gillio Vitalba Mosca Paola Romanò Cristina Rubin 1983 Antonella Banaudi Nicoletta Curiel Virginia Guarino Silvana Manga Giuseppe Riva Silvana Silbano Adelisa Tabiadon Anna Vandi 1984 Marina Bottacin Carmelo Caruso Paolo Coni Mario Malagnini M. Antonio Pauluzzo Maria Cristina Zanni 1985 Susanna Anselmi Mario Carrara Claudia Clarich Rosalba Colosimo Paolo Gavanelli Michele Pertusi Alessandra Ruffini Caterina Trogu Röhrich Claudio Zancopè 1986 Claudia N. Bandera Silvia Chiminelli Alessandra Mantovani Gianfranco Valentini 1987 Carlo Colombara Silvia Da Ros Valeria Esposito Rosa Maria Orani Francesco Piccoli Fabio Previati Giuseppe Sabbatini Orfeo Zanetti 1988 Fernanda Frongia Annalisa Merani Filippo Piccolo Maria Pia Piscitelli Renzo Rovedi Daniele Tonini 1989 Vincenzo Alaimo Elisabetta Andreani Mauro Buda Domenico Colaianni Regina De Ventura Carla Di Censo Marzio Giossi Patrizia Macrelli Liliana Oliveri Francesca Pedaci Michela Remor Donato Tota Franco Traverso Giorgio Zappaterra 1990 Gemma Bertagnolli Daniela Bruera Donato Di Stefano Liliana Marzano Antonio Stragapede 1991 Maria Billeri Daniele Gaspari Antonella Nappa Sandra Pario Rachele Stanisci 1992 Davide Baronchelli Marina Fratarcangeli Donatella Lombardi Alessandra Palomba Matteo Peirone Gianluca Sorrentino 1993 Antonio Abete Antonio Lemmo Graziella Merrino Patrizia Patelmo 1994 Luca Dordolo Andrea La Rosa Carlo Morini Paola Quagliata Maria José Trullu Franco Vassallo 1995 Rita Cammarano Anna Chierichetti Roberto Miani Javier Palacios Carmen Serrano Stefano Secco Terige Sirolli 1996 Orla Boylan John Daszak Mark Milhofer Gaetano Motta Riccardo Novaro Gabriella Sborgi Piero Terranova

18 1997 Chiara Chialli Alberto Fraschina Enrico Marabelli 1998 Marzia Giaccaia Mirko Guadagnini Alison Kettlewell Luciano Miotto Antonia Maria Sotgiu Muriel Tomao 1999 Loredana Arcuri Manuela Giacomini Ambrogio Maestri Maura Menghini 2000 Le Comte Ory Mariola Cantarero, La Contessa Le Boheme Sabrina Vianello, Musetta Giorgio Caoduro, Schaunard 2001 La Clemenza di Tito Luigi De Donato, Publio Sabina Willeit, Sesto Falstaff Nadia Vezzù, Alice Oliviero Giorgiutti, Ford 2002 Guglielmo Tell Beatrice Greggio, Matilde Le contes d Hoffmann Federico Lepre, Franz Burcu Uyar, Olimpia Sylva Cmugrova, Nicklausse L italiana in Algeri Marina De Liso, Isabella Alessia Sparacio, Isabella Wojciech Gierlach, Mustafà 2003 Idomeneo Lucia Cirillo, Idamante Cristina Baggio, Elettra Eugenia Braynova, Ilia Stefanna Kybalova, Ilia Orfeo ed Euridice Eugenia Braynova, Amore

19 Modulo d Iscrizione Application Form 2004 Concorso per Giovani Cantanti Lirici d Europa Competition for Young Opera Singers of Europe Da compilare in stampatello leggibile o a macchina e inviare a: To be completed in legible block capitals or typed and sent to: Corso di Porta Nuova, Milano - Italia tel fax info@aslico.org

20 Modulo d Iscrizione Application Form Nome Name Cognome Surname Indirizzo Address Città City CAP Post codex Nazionalità Nationality Telefono Phone Fax Fax Data di nascita Birth date Attuale insegnante di canto Current singing teacher Registro vocale Vocal register Città scelta per la Preselezione City choosen for the preselection Il sottoscritto dichiara di aver preso visione e di accettare ogni clausola del bando di Concorso As.Li.Co. per Giovani Cantanti Lirici d Europea, anno The undersigned states that he has duly taken note of and agrees to all of the clauses and terms content in the announcement of the competitive examination published by As.Li.Co. for Young Opera Singers of Europe, year Firma Sign

21 Ruoli delle Opere a Concorso Roles for the Opera La Traviata di Giuseppe Verdi Violetta, soprano Alfredo, tenore Germont, baritono L elisir d amore di Gaetano Donizetti Nemorino, tenore Adina, soprano Belcore, baritono Dulcamara, basso Werther di Jules Massenet Werther, tenore Charlotte, mezzosoprano Sophie, soprano Albert, baritono I brani obbligatori dei ruoli delle Opere a concorso sono indicati nell Allegato A del bando di Concorso Obligatory pieces for roles in opera contest are mentioned in the General Regulations, enclosure A Programma a scelta del candidato Programme to be selected by the candidate Brano 1 (con recitativo) Aria 1 (with recitative) Titolo recitativo Recitative Title Titolo aria Aria Title Titolo opera Opera Title Compositore Composer

22 Brano 2 (con recitativo) Aria 2 (with recitative) Titolo recitativo Recitative Title Titolo aria Aria Title Titolo opera Opera Title Compositore Composer Brano 3 Aria 3 Titolo aria Aria Title Titolo opera Opera Title Compositore Composer Brano 4 Aria 4 Titolo aria Aria Title Titolo opera Opera Title Compositore Composer Brano 5 Aria 5 Titolo aria Aria Title Titolo opera Opera Title Compositore Composer Per la compilazione vedere ART. 9 del Bando di Concorso To fill the form see art. 9 in the General Regulation

23 Corso di Porta Nuova, Milano Telefono Fax