Biologie littorale des mers temperées

Transcript

1 Bruno Ruviaro Biologie littorale des mers temerées 29 music or violoncello solo

2 Acknowledgements Cello and Orchestra 9 by Morton Feldman, mm - Sonata or Cello 9 by Bernd-Alois Zimmermann,, m Adagissimo 9 by Brian Ferneyhough, mm - Adagissimo 9 by Brian Ferneyhough, mm 9-2 Les mots sont alées 99 by Luciano Berio, hal o last line Cello and Orchestra 9 by Morton Feldman, mm -9 Cello and Orchestra 9 by Morton Feldman, m Kontra-Punkte 9 by Karlheinz Stockhausen, mm 2- Sonata or Cello 9 by Bernd-Alois Zimmermann,, m Kontra-Punkte 9 by Karlheinz Stockhausen, mm -9 Adagissimo 9 by Brian Ferneyhough, m 2 Kontra-Punkte 9 by Karlheinz Stockhausen, mm -9 Etwas ruhiger im Ausdruck 9 by Franco Donatoni, m Etwas ruhiger im Ausdruck 9 by Franco Donatoni, m Etwas ruhiger im Ausdruck 9 by Franco Donatoni, m 99 Sonata or Cello 9 by Bernd-Alois Zimmermann,, m Also, thanks to cellist Séverine Ballon or valuable advice in the initial stages o the comosition Perormance notes Accidentals aly only to the note beore which they are written Excetion when a note is immediately reeated in the same register, the irst alteration is valid or these immediate reetitions or examle, beginning o m Vibrato may be seciied as ollows molto vibrato, oco vibrato, senza vibrato or abbreviations such as mvib, oco vibr, etc Sometimes a bracket is used to clariy beginning and end o the vibrato the vibrato then alies only to the notes under the bracket An ascending or descending arrow ater a vibrato mark indicates a gradual increase or decrease o the vibrato, within the duration indicated by the bracket note that these arrows associated to a vibrato mark do not mean any kind o overall glissando For examle, the molto vibrato on the irst note o m should quickly decrease to a less intense vibrato, the same action being reeated or the second note An indication such as slow and narrow vibrato m seciies both comonents o a vibrato seed o vibration and amount o itch change around the center itch A wiggly line may aear in conjunction with these vibrato marks simly as a visual aid Parenthetical interrutions should be interreted in the same way as in written and soken language an amliying or exlanatory word, hrase, or sentence inserted in a assage a remark or assage that dearts rom the theme o a discourse The raw material o the iece is a ool o ragments o sometimes disarate stylistic origin The tendency or a discontinuous low is already embedded in the very nature o such material as a counterbalance, the erormer should strive to bring out asects o continuity in the music through latent associations, dormant corresondences etc, not only between neighboring ragments but also across larger sections o the iece These are not quotations recognizability o any given ragment is not sought nor exected The work is not exactly a collage, either The ste o devalorization negation o the value o rior organization o exression is here ollowed by a ste o revalorization o these ragments into newly organized and meaningul connections t is erhas a way o creatively examining the otential malleability or resistance o dierent musical materials when subjected to higher temeratures Bruno Ruviaro minor revisions on

3 Biologie littorale des mers temerées Violoncello solo A little ater beore q =,, - con sordina extremely quiet,, -,,,, Bruno Ruviaro, 29 senza s 2 2 q = 9 e = con calore vibr & q = e = 2 molto vibrato izz animato m 2 V m m 2e m m q = 9 q = = = = = = = sul ont oco vibr = = = =,,, -, -, s in m 2x 9 < oco = = very quiet y sul tasto, vibr = = = = m iù calmo izz m x m izz? > esressivo molto = = klingend =

4 2 e = 2 29 sz m e = izz legato 9? > oco e = 2 izz 9 A@ 9? > B s >B izz 9?? > B 9 9 izz sz sz izz 9 izz izz? sz izz > B 9 >B m izz m >B izz h = battuto C C C non vibr C C C C sul ont C C & e = siccato izz battuto batt batt & 9 9 2D D D m Sitze Sitze attacca

5 9 Just ater q = q = rall oco s izz izz A@ oco accel q = 9 izz molto vib col senza vib sz in m,, relatively inaudible, but action should be visible C m & batt, 9 con sordina lautando, legato E, aretando m sul ont m m m 9 q = q =, legato mvib h = e = izz q = oco vib s ,? s esressivo molto mvib > m jeté col vib oco 9 > B 9? A@ 9? 99? >B 9 >B > B e = jeté ont gliss & 9 9 F F sz in non vibr s s senza sz m izz sz sz sz m m izz sz

6 2 e = cæsura & C 9 m quasi m molto q = exansive oco rall C q = izz gliss senza vib m = sub, =, =, = oco rit =, =, = =, = q = slow and narrow vibrato oco s oco s -,,, m m extremely quiet molto s, G q = G q = = m A temo = = izz quasi m = = = like a arenthetical interrution = = sz = m m = = siccato oco rit < = =, - C hold

7 q = 2 2 > meno q = batt sul ont somewhat aggressive meno mm -9 arenthetical interrution x notehead damen strings with let hand to roduce an unitched batt attack C C C C C C C jeté gliss C C 9 E q = 2 molto lautando 9 99 q = 9 agitato H q = oco rall cresc suddenly retreating && 2 q = A dierent beore q = con sordina ractice mute jeté 2x && E,,, >,, -, m,, - short ermatas,, extremely quiet, -

8 q = 9 legato molto vibrato, e oco 2e V oco rit lh action only rh removes sordina at the same time A temo q = 9 sul ont oco vibr senza s,, -,,,, slow, narrow vibrato con calore vibr 2q 2q, - J e = oco m q = esressivo molto izz? > klingend e = 2 22 izz m 9 e =? izz animato sz in m 2e m 2x izz 9 sz in m oco y 2 q = iù calmo C x m senza decresc m very long ermata at least - seconds 2 q = saltato, C C C oco sul ont extremely quiet, legatissimo

9 e = A@ 9? > B izz sz izz 9 9? > B 9 9 sz 9? > B m sub sz m 9 >B m > B h = = sul ont s sul tast C C siccato & e = 2D izz jeté batt & 9 9 D 9 m m Sitze attacca V Ater all, q = izz q = molto sul ont 9, m sub 9 very quiet m iù calmo m oco rit ma semre agitato 2D izz izz < = = = = 9 9 m m s m sul ont A temo > somewhat aggressive ca Paris, 29-2-