TV TECHNICAL SPECIFICATIONS FOR COMMERCIALS

Transcript

1 TV TECHNICAL SPECIFICATIONS FOR COMMERCIALS U P D A T E INFORMATION REQUIRED TERMS OF DELIVERY With an advance of 4 full working days it's necessary to send an to the address airtimesales@discovery.com including the information below: - Clients, Product, Version - Transmission period - Total number of copies version - Effective lengths - Copy instructions - Channels involved FILE DELIVERY SPECIFICATION Copies files should be delivered in 16:9 FHA [Full Height Anamorphic ITU R BT.601-6]. It's possible to deliver HD or SD format. Please note that in the absence of copy instructions Discovery Media can't be held responsible for a wrong subject emission. Before transmission, each copy will be submitted to the internal traffic approval in order to verify compliance with advertising regulations. For any emergencies please send request to the address: airtimesales@discovery.com Copies should be delivered through the following digital delivery services selecting "DISCOVERY ITALIA" as destination. AdStream Italia V i a M o r i m o n d o, 2 2 / A M i l a n o T e l : S u p p o r t o T e c n i c o : e m a i l : t r a f f i c _ i a d s t r e a m. c o m IMD Italy V i a C o p e r n i c o, M i l a n o T e l : S u p p o r t o T e c n i c o : e m a i l : i t a l i a n o p g r o u p i m d. c o m Adtoox P. z z a 4 N o v e m b r e, M i l a n o T e l : S u p p o r t o T e c n i c o : e m a i l : s u p p o r t a d t o o x. i t Air Time Sales Management V i a U b e r t o V i s c o n t i d i M o d r o n e M i l a n o e m a i l : a i r t i m e s a l e s@ d i s c o v e r y. c o m

2 SPECIFICHE TECNICHE MATERIALI TV U P D A T E ASPECT RATIO S A F E A R E A S Discovery Channel's bugs are located in the Top-Left/Top-Right of the screen for the whole commercial breaks duration. The Tag "pubblicità" is located in the Bottom/Top-Right corner. Please ensure that all elements aren't overlapped with channels logos. For your test you can find the.tga files on our website at the following link: h t t p : / / w w w. d i s c o v e r y m e d i a. c o m / o f f e r t a - t v - w e b / Air Time Sales Management V i a U b e r t o V i s c o n t i d i M o d r o n e M i l a n o e m a i l : a i r t i m e s a l e s@ d i s c o v e r y. c o m

3 Adstream Italy Via Morimondo 22/a Milan Adstream File Delivery Specification For Italy To maintain a consistently high quality product Adstream requires all material for distribution in this region to be supplied to the following HD specifications. File Specification Quicktime ProRes 422HQ 1080/50 MPEG-2 Transport Stream 1080/50 Quicktime Wrapped Avid DNxHD 120/ /50 Uncompressed 8-bit YUV 1080/50 UYVY / YUYV Codec : Apple Quicktime ProRes 422 (HQ) Container : MOV Profile : HQ Chroma Subsample : 4:2:2 Frame Size : 1920x1080 Aspect Ratio : 16:9 Codec : Integer (Little Endian) PCM Sample Size : 24bit Canali : Stereo Codec : MPEG-2 Transport Stream Container : MPEG-2 Transport Stream Profile: 4:2:2 (422P@ML) Bitrate : 100Mb/s CBR Chroma Subsample : 4:2:2 GOP Structure : I Frame Only Frame Size : 1920x1080 Aspect Ratio : 16:9 Codec : PCM Sample Size : 24bit Canali : Stereo Codec : 8bit DNxHD Container : MOV Bitrate : 120Mb/s o 185Mb/s Chroma Subsample : 4:2:2 Frame Size : 1920x1080 Aspect Ratio : 16:9 Codec : PCM Sample Size : 24bit Canali : Stereo Codec : Uncompressed 8bit YCbCr Container : MOV / AVI Chroma Subsample : 4:2:2 Frame Size : 1920x1080 Aspect Ratio : 16:9 Codec : Integer (Big/Little Endian) PCM Sample Size : 24 bit Canali : Stereo TV Format : HDTV Aspect Ratio : 16:9 Title Safe : 16:9 Video Level Requirements All Video Signals Should Comply With ITU-R BT And Video Signals Should Not Exceed The Specified Limits. Video Levels Should Not Exceed 700mV, Or Fall Below 0mV Out of gamut tolerance. Whilst Adstream and the Broadcasters will reject illegal video levels they understand there may be instances where it is difficult to completely avoid, and following EBU recommendation Rec will allow a small tolerance, assuming no more that 1% of the active picture is in error. Luminance (Y) -1% and 103% o (ie between -7mV and 721mV) RGB video levels -5% and 105% o (ie between -35mV and 735mV) Audio Level Requirements AGCOM 219/09/CSP The loudness level of the program material must be in agreement with the AGCOM 219/09/CSP directive, including the following delivery specifications : Reference Level : 1kHz@ -18dBFS Integrated Loudness Program : -24 LUFS Weighting Scale : As per ITU-R BS Target Level Tolerance : +/-0.5 LU Maximum True Peak : -2dBTP PML (QPPM) : -9dBFS Maximum Short Term Momentary (3 Sec) : +5LU On The Relative Scale Relative Gating : -8 LU Absolute Silence Gate : -70 LUFS All commercial soundtracks must be measured using ITU-R BS loudness meter to ensure compliance to the required recommendation. The measurements will be defined using an integration time of 400ms with 75% overlap Adstream Italy traffic.it@adstream.com Revision : 4.1

4 Adstream Italy Via Morimondo 22/a Milan Adstream File Delivery Specification For Italy To maintain a consistently high quality product Adstream requires all material for distribution in this region to be supplied to the following SD specifications. File Specification Uncompressed 8-bit YUV 625/50 UYVY / YUYV Codec : Uncompressed 8bit YCbCr Container : MOV /AVI Chroma Subsample: 4:2:2 Frame Size : 720x576 Codec : Integer (Big/Little Endian) PCM Sample Size : 16 bit Channels : Stereo RAW RGB 625/50 Codec : NONE Container : MOV / AVI Chroma Subsample : None Frame Size : 720x576 Codec : PCM Sample Size : 16bit Channels : Stereo Quicktime ProRes 422HQ 625/50 Codec : Apple Quicktime ProRes 422 (HQ) Container : MOV Profile : HQ Frame Size : 720x576 Codec : Integer (Little Endian) PCM Sample Size : 16bit Channels : Stereo MPEG-2 Program Stream 625/50 Codec : MPEG-2 Program Stream Container : MPEG-2 Program Stream Profile : 4:2:2 (422P@ML) Bitrate : 50Mb/s CBR Chroma Subsample : 4:2:2 GOP structure : I Frame Only Frame Size : 720x576 (608 if Inc VBI) Codec : MPEG1 Layer-2 Sample Size : 16 bit Channels : Stereo TV Format : SDTV Aspect Ratio : 16:9 Title Safe : 16:9 Video Level Requirements All Video Signals Should Comply With ITU-R BT And Video Signals Should Not Exceed The Specified Limits. Video Levels Should Not Exceed 700mV, Or Fall Below 0mV Out of gamut tolerance. Whilst Adstream and the Broadcasters will reject illegal video levels they understand there may be instances where it is difficult to completely avoid, and following EBU recommendation Rec will allow a small tolerance, assuming no more that 1% of the active picture is in error. Luminance (Y) -1% and 103% o (ie between -7mV and 721mV) RGB video levels -5% and 105% o (ie between -35mV and 735mV) Audio Level Requirements AGCOM 219/09/CSP The loudness level of the program material must be in agreement with the AGCOM 219/09/CSP directive, including the following delivery specifications : Reference Level : 1kHz@ -18dBFS Integrated Loudness Program : -24 LUFS Weighting Scale : As per ITU-R BS Target Level Tolerance : +/-0.5 LU Maximum True Peak : -2dBTP PML (QPPM) : -9dBFS Maximum Short Term Momentary (3 Sec) : +5LU On The Relative Scale Relative Gating : -8 LU Absolute Silence Gate : -70 LUFS All commercial soundtracks must be measured using ITU-R BS loudness meter to ensure compliance to the required recommendation. The measurements will be defined using an integration time of 400ms with 75% overlap Adstream Italy traffic.it@adstream.com Revision : 4.1

5 Adstream Italy Via Morimondo 22/a Milan Adstream File Delivery Specification For Italy Clock/Slate and Pre & Post Roll Information NOT MANDATORY Structure l.e. Duration l.e. Timecode TVC Only Cut to Cut 30" 00:00:00:00-00:00:29:24 The full structure with Color bars and cover blacks could be request for the 1st delivery test only or if a deeper QC will be necessary. Pre&Post Roll version Only for 1 delivery or deeper QC l.e. Duration l.e. Timecode Color Bars EBU 100/0/75/0 & Tone 1KHz -18dBFS 2" 00:00:00:00-00:00:01:24 Clock/Slate not mandatory 5 00:00:02:00-00:00:06:24 Black & Mute 3" 00:00:07:00-00:00:09:24 TVC 30" 00:00:10:00-00:00:39:24 Nero video & Silenzio Audio 3" 00:00:40:00-00:00:42:24 For this region a valid clock/slate IS NOT mandatory Clock/Slate Information Client Product Subject Agency Production House Post/Prod House Clock Number : PPPMMYYBBPPPSSSNDDD Title Duration HH:MM:SS:FF Aspect PPPMMYYBBPPPSSSNDDD P: who place the order B: Brand P: Product S: Subject N: Version (A, B, C,.) D: Duration HOW TO MAKE A CLOCKNUMBER FOR both SD and HD The clock number should be up to 20 alpha-numeric characters, - eg should not contain characters such as (! $ % & / ()? ^ * ç > < _ - ; : &) HD and SD assets of the same subject should have the same CLOCKNUMBER. Local Clearance: Local clearance in Italy is managed by the legal department at the broadcasters. No pre-approval al is needed. Additional Information: - All assets for the Channel should respect the technical specification of o!!! Left Eye and Right Eye should come into separated files with equal structure, Equal audio and perfectly in Sync both Audio and Video!!! - More infos about all SD, HD and 3D destinations are available through direct contact.!!! To ensure compliance please contact our local office for any queries. Adstream Italy traffic.it@adstream.com Revision : 4.1

6 HD (1080/50i) Container MXF (OP1a) Video Codec XDCAM HD422 Format Profile Frame size 1920 x 1080 Display Aspect Ratio 16:9 Frame rate 25 fps Interlacing Upper Field Bitrate 50 Mbps Chroma Subsampling 4:2:2 GOP Length 12 (M=3, N=12) Audio Format PCM (Little Endian) Channels 2 (1 channel per audio stream) Sample Rate 48 khz Bit Depth 16 / 24 bits

7 STRUTTURA DEL FILE DA CARICARE Lo spot inizia al primo fotogramma e termina all'ultimo. Non è necessario inserire alcuna barra colorata, orologio/ identificativo e/o sequenza di fotogrammi di nero in testa e/o in coda al file. FORMATO FILE QUICKTIME(.MOV) Formato file Codec video supportati Codec audio supportati Dimensioni del campione audio supportati QuickTime (. Mov) non compresso 4:2:2 8-bit ("2vuy") nessuno ("raw") animation ("rle") non compresso 4:2:2 10-bit ("V210") Apple ProRes 422 (HQ) ("apch") (disponibile solo su Mac) Apple ProRes 4444 ("ap4h") (disponibile solo su Mac) non compresso PCM lineare, little endian non compresso PCM lineare, big endian 16 bit 24 bit VIDEO Definizione Dimensione del frame Modalità di scansione accettate Definizione standard (SD) 720x576, tutti i pixel che contengono video attivo (full-frame) 16:9, anamorfico in tutta altezza (FHA) Interlacciato, campo superiore per primo Progressivo Frame rate Colorimetria Livelli Raccomandazione ITU-R BT Dovrà seguire raccomandazione ITU-R BT.601-7: Luma limiti a livello di componente: 0-100% RGB limiti a livello di componente: 0-100% 0-100% corrisponde a mv e come decimale.

8 AUDIO Formato Canale audio 1 Canale audio 2 Frequenza di campionamento Stereo compatibile con Mono Traccia stereo sinistra Traccia stereo destra 48 khz Il dual mono (canali stereo identici) è accettato solo previo accordo con l'ufficio vendite dell emittente. L'audio è sincronizzato con il contenuto dell'immagine. Livelli audio Picco massimo reale AGCOM/R128 loudness -2.0 BTP Loudness a lungo termine: Loudness a breve termine massima (S): Massimo loudness istantaneo (M): Massima gamma di volume (LRA): -24,0 LKFS -21,0 LUFS Non applicabile Non applicabile Picco reale: ITU-R Raccomandazione BS AGCOM loudness: AGCOM 219/09/CSP - 05/01/2010 e successive modifiche R128 loudness: EBU Raccomandazione Tecnica R128 del 2011

9 FORMATO FILE Formato file MXF OP-1a (.mxf file) Profilo D-10 50Mbps (IMX 50) Stato partizione Chiuso e completo Essenza Video Formato MPEG-2 video elementary stream (ES) Profilo e livelli 4:2:2Profile@MainLevel (422P@ML) Formato chroma 4:2:2 Bitrate 50 Mbit/s constant bitrate (CBR) Struttura GOP I-frames only (GOP size (N) = 1, M = 1) Intestazione sequenza Su ogni GOP Primo GOP Chiuso Essenza Audio Formato Codec Numero di canali supportati AES3 Uncompressed linear PCM, little endian 2/4*/8* Dimensioni sample supportate 24 bit 16 bit * Tuti I canali ad eccezione di 1 e 2, saranno rimossi durante la conversione. VIDEO Frame size Aspect ratio Scan mode Frame rate Colorimetria Livelli Standard definition (SD) 720x576, tutti i pixel che contengono video attivo (full-frame)* 16:9 anamorfico in tutta altezza(fha) Interlacciato primo campo superiore 25 fotogrammi al secondo Raccomandato ITU-R BT Dovranno seguire parametri ITU-R BT.601-7: Limite livelli componente Luma: 0 100% Limite livelli componente RGB: 0 100% 0-100% corresponds to mv and decimal. T*he D-10 standard specifies an additional 32 lines (720x608) of vertical blanking interval (VBI). These lines shall be included in the MXF but will be removed whe

10 AUDIO Formato Canale audio 1 Canale audio 2 Frequenza di campionamento Stereo compatibile con Mono Traccia stereo sinistra Traccia stereo destra 48 khz Il dual mono (canali stereo identici) è accettato solo previo accordo con l'ufficio vendite dell emittente. L'audio è sincronizzato con il contenuto dell'immagine. Maximum true peak AGCOM/R128 loudness -2.0 dbtp Loudness a lungo termine Loudness a breve termine massima (S): Massimo loudness istantaneo (M): Gamma di massimo volume (LRA): LKFS LUFS Not applicable Not applicable Picco reale: ITU-R Raccomandazione BS AGCOM loudness: AGCOM 219/09/CSP - 05/01/2010 e successive modifiche R128 loudness: EBU Raccomandazione Tecnica R128 del 2011

11 STRUTTURA DEL FILE DA CARICARE Lo spot inizia al primo fotogramma e termina all'ultimo. Non è necessario inserire alcuna barra colorata, orologio/ identificativo e/o sequenza di fotogrammi di nero in testa e/o in coda al file. FORMAT FILE Formato file Codec video supportati Codec audio supportati Dimensioni del campione audio supportati QuickTime (. Mov) Non compresso 4:2:2 8-bit ("2vuy") Avid DNxHD 1080i/ bit ("AVdn") Non compresso 4:2:2 10-bit ("V210") Apple ProRes 422 (HQ) ("apch") (disponibile solo su Mac) Apple ProRes 4444 ("ap4h") (disponibile solo su Mac) Non compresso PCM lineare, little endian Non compresso PCM lineare, big endian 16 bit 24 bit VIDEO Definizione Dimensione del frame Aspect Ratio 16:9 Modalità di scansione accettate Alta definizione (HD) 1920x1080, tutti i pixel contengono video attivo (full-frame) Interlacciato, primo campo superiore Progressivo Frame rate Colorimetria Livelli 25 fotogrammi al secondo Raccomandazione ITU-R BT Dovrà seguire raccomandazione ITU-R BT.709-5: Luma limiti a livello di componente: 0-100% RGB limiti a livello di componente: 0-100% 0-100% corrisponde a mv e come decimale.

12 AUDIO Formato Canale audio 1 Canale audio 2 Frequenza di campionamento Stereo compatibile con Mono Traccia stereo sinistra Traccia stereo destra 48 khz Il dual mono (canali stereo identici) è accettato solo previo accordo con l'ufficio vendite dell emittente. L'audio è sincronizzato con il contenuto dell'immagine. Livelli audio Reale picco massimo AGCOM/R128 loudness -2.0 DBTP Loudness a lungo termine: Loudness a breve termine massima (S): Loudness massimo istantaneo (M): Gamma di massimo volume (LRA): -24,0 LKFS -21,0 LUFS Non applicabile Non applicabile Picco reale: ITU-R Raccomandazione BS AGCOM loudness: AGCOM 219/09/CSP - 05/01/2010 e successive modifiche R128 loudness: EBU Raccomandazione Tecnica R128 del 2011

13 - MXF File format Profile Partition status MXF OP-1a (.mxf file) XDCAM HD422 (50 Mbps) Closed and complete Format MPEG-2 video elementary stream (ES) Codec ID 0D Profile and level Chroma format 4:2:2 Bitrate 50 Mbit/s constant bitrate (CBR) GOP structure Long GOP (GOP size (N) = 12, M = 3) Wrapping mode Sequence header GOP Frame On each GOP Closed Format Codec Supported number of channels AES3 Uncompressed linear PCM, little endian 2 4* 8* Supported sample sizes bit bit * All channels except channel 1 and 2 will be removed when converting. VIDEO Definition Frame size High definition (HD) 1920x1080, all pixels containing active video (full-frame) Aspect ratio 16:9 Accepted scan modes Frame rate Colourimetry Levels Interlaced, top field first Progressive 25 frames per second ITU-R Recommendation BT Shall follow ITU-R Recommendation BT.709-5: Luma component level limits: 0 100% RGB component level limits: 0 100% 0-100% corresponds to mv and decimal.

14 AUDIO Format Audio channel 1 Audio channel 2 Sample rate Mono-compatible stereo Stereo left track Stereo right track 48 khz Dual mono (identical stereo channels) is only accepted after prior agreement with the Broadcaster's sales department. The audio shall be in lip sync with the picture content. Audio levels Maximum true peak AGCOM/R128 loudness -2.0 dbtp Long-term loudness: LKFS Maximum short-term loudness (S): LUFS Maximum momentary loudness (M): Not applicable Maximum loudness range (LRA): Not applicable True peak: ITU-R Recommendation BS AGCOM loudness: AGCOM 219/09/CSP - 05/01/2010 and next modifications R128 loudness: EBU Technical Recommendation R !