Virtual reality and reconstruction of the archaeological landscape: epistemology, methodologies, virtual storytelling, Multiuser domain

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Evangelista Santi
7 anni fa
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Virtual reality and reconstruction of the archaeological landscape: epistemology, methodologies, virtual storytelling, Multiuser domain Eva

1 Virtual reality and reconstruction of the archaeological landscape: epistemology, methodologies, virtual storytelling, Multiuser domain Eva Pietroni Institute of Technologies Applied to Cultural Heritage, Rome Mimos, Rome - November 8, 2007

2 VHLab of CNR-ITABC new research projects oriented to virtual archaeology. virtual reality applications, off and on line, and Multiuser domain. potentialities, cultural impact in the interpretation, communication, learning, sharing and exchanging of cultural contents.

VR systems for cultural heritage domain: State of art In the last years the theorical discussion about the integration of VR and cultural heritage has been developed through many theoretical

3 VR systems for cultural heritage domain: State of art In the last years the theorical discussion about the integration of VR and cultural heritage has been developed through many theoretical discussions. BUT Results are still quite partial in comparison with the great potentialities. Typically the scientific communities don t consider VR environment an operative tool for the archaeological research. There are few examples of VR for e-learning and e-communication. Why?

4 VR system and cultural heritage domain: State of art Problems: Experiments of laboratories without public destination. 3D environments are empty and quite desolated, limited to the reconstruction of the space. Public cannot learn anything more about cultural meanings. They are closed and no more editable. Data are not transparent

The real problem is not the accessibility of digital technologies We need a new language, a new alphabet, new behaviors, new metaphors of interaction!

5 The real problem is not the accessibility of digital technologies We need a new language, a new alphabet, new behaviors, new metaphors of interaction! The creation of a virtual reality ecosystem is a complex work and requires specific alphabet and languages in order to stimulates the synergic cooperation between the two main cognitive processes: perceptive-motorial (the primary) symbolic-conceptual (the secondary)

6 Aims and targets: Our aim is the creation of innovative VR system where public can interact with complex and multidimensional-multiscale data. both VR for Museums/general public VR for scientific community Multiuser Domain Virtual Storytelling Data sharing and exchange

7 Final aims How did ancient people live? How were their mind and their behaviours, their activities in the territory? Which meanings and symbolic values did they attribute to places? Which is the sense of place? Archaeologycal landscape reconstruction = a place where experience different behaviours, ways of interaction, storytelling, metadata...

8 Knowledge and communication Communication is not a reduction of cultural contents but the final result of the knowledge process, including all the problematic and doubtful aspects of the interpretation of meanings.

9 1. VR for Museum Ancient via Flaminia project CNR-ITABC Soprintendeza archeologica Arcus - Reconstruction of the archaeologica landscape - Virtual storytelling - Multiuser Domain

10 CNR- ITABC,

11 VIA FLAMINIA ANTICA PROJECT VIRTUAL ROOM AT ROMAN NATIONAL MUSEUM (TERME DI DIOCLEZIANO) VIRTUAL REALITY CINEMA STEREOSCOPY MULTIUSER DOMAIN VIRTUAL STORYTELLING

12 VIA FLAMINIA ANTICA PROJECT CNR- ITABC, OLISTIC and MONOGRAPHIC vision

13 PDA connected to DGPS

15 3d model

16 Ricostruzione del paesaggio antico di grottarossa

17 Malborghetto

19 Malborghetto _ Fotomodellazione Ricostruzione 3d foto

20 Malborghetto Ricostruzione 3d dall attuale. al ricostruito, IV sec. d.c.)

21 Il sogno di Costantino

23 Villa di Livia a Prima Porta dall attuale al ricostruito Bottom up + Top down

24 Es. di schermata Fonti impiegate nella ricostruzione (Atrio)

25 Il realismo percettivo esalta: il senso di presenza, il coinvolgimento sensoriale

26 Il MUD favorisce: la circolarità della percezione e dell'azione la cooperazione interpretativa il coinvolgimento percettivo ed emotivo il senso di presenza, l'emulazione l'immersività dell'azione virtuale il divertimento e l'apprendimento l'azione collettiva costruisce storie continue, anche impreviste La multiutenza è una soluzione ottimale per il Museo

27 Ricostruzione in età augustea I sec. a.c. I sec. d. C.

28 Storytelling alla villa di Livia Personaggi storici: epicentro di narrazione. Ricostruiti seguendo descrizioni letterarie ed iconografiche.

EXPORTING AND IMPLEMENTATION IN REAL TIME GRAPHIC ENGINE GENERATION OF THE TERREIN DIGITAL MODEL IMPROVEMENT OF THE LANDSCAPE DESIGN VRWeb GIS OpenSource ARCHITECTURAL MODELS PHOTOMODELLING

30 EXPORTING AND IMPLEMENTATION IN REAL TIME GRAPHIC ENGINE GENERATION OF THE TERREIN DIGITAL MODEL IMPROVEMENT OF THE LANDSCAPE DESIGN VRWeb GIS OpenSource ARCHITECTURAL MODELS PHOTOMODELLING PHOTOGRAMMETRY SCANNER LASER Real time engine VIRTOOLS-DEV Engines for videogames - more powerful and refined visualizations, -complex animations, -complex behaviours - complex editor tools -artificial life -multiuser interaction Painting Lightning Render to texture Vegetation Characters Animations

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